Upon listening to music by Steve Reich and especially Philip Glass, I became intent on the idea of writing my own minimalist music. The music is in A B A’ form. Initially my idea was to write a twelve-tone piece. A used only six tones, while B relied entirely on the complementary six tones. I later decided to relax this constraint for several reasons, one of which being that the piece wasn’t strictly serial.
This piece is dedicated to my daughter Stella who gave the music its title after listening to a MIDI playback on the computer
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